Helping Hands Foundation
Knitting a bond between kids and adults
NeedleArtsMentoring.org Guide : Steps To Success


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formatting only The "Guide" includes: |Table of Contents |Acknowledgements |Forward |History |Benefits |Getting Started |Steps to Success |Logistics |Conclusion| |Warm Up America| |Appendix|

Steps To Success

knitting rhymes STEP ONE: PUBLICIZING THE PROGRAM
NAMP has materials available that will help you gather mentors. A mentor recruiting flyer is available and can be tailored to suit your program. Our Web site provides information about HHF to those wishing to know more about it, and our office has a fact sheet that tells HHF’s history and how it has developed over the years.

If you decide to design your own brochure, make sure it is simple, eye-catching and interesting to read. It must also include the NAMP logo, name, address and Web site address, in addition to listing our sponsors. We suggest placing the flyer in schools and local needlework and yarn shops as well as other highly visible locations around your community to recruit those interested in teaching the needle arts.

STEP TWO: ADMINISTRATION
One person, the Volunteer Coordinator (VC), can administer a program quite easily, requiring a little extra time besides the time spent each week for actual program time with students. Once The Needle Arts Mentoring Program makes contact within your community, it takes very little effort to make the program happen. Often school systems have an individual, such as a counselor or a vice principal, who is interested in getting these activities going in their schools. In addition to before and after school programs, we have had success with NAMP in other venues such as libraries, youth groups, scout troops, homeschool groups and in classrooms as part of the curriculum.

NAMP can make these contacts for you, if you like. We have the expertise to speak professionally about the benefits and advantages of the program.

Job Description for the Volunteer Coordinator
  • Liaison with NAMP Director and school coordinator
  • Recruits and trains mentors with NAMP staff support
  • Monitors and distributes supplies
  • Responsible for weekly sign-in sheets if required by the program
The biggest responsibilities for the VC will be gathering mentors and securing the location for the NAMP.

STEP THREE: Gathering Mentors
Encouraging others to become involved in NAMP is the nuts and bolts of this program. NAMP’s primary focus is to create mentorships nationwide and we are always researching ways to attract mentors. We are here to help you. Mentors are usually gathered one by one. It doesn’t take a lot of mentors to begin a program. You may already belong to a group of needle artists who have decided to make this a community effort. Some other ideas for recruiting mentors are local churches, needle arts shops, senior centers, parents/grandparents/friends of the children who will be involved, or other teachers/staff members where the group will meet.

Important points to cover when talking with potential volunteers

1. There is a low student to mentor ratio.
We strive to be a one-on-one mentoring program, but when mentors are slow to appear, we have started many programs with up to five students per mentor. The program can grow as you bring in more people. Please watch the ratio and keep it low, as it provides a nice interaction between kids and mentors. While one student is practicing the stitch, the mentor can give attention to another student. Our experience is that letting in too many kids with not enough mentors makes for general chaos. Be careful of this problem.

2. Volunteers are mentors, not just knitting/crochet instructors.
Many potential volunteers are shy about teaching because they don’t see themselves as a skilled enough to be able to teach a group of students. Let them know immediately that they will not be asked to teach a group. They may choose to only have one child. They will only need to stay one step ahead of that child’s ability in order to be a successful teacher. Remember, these are beginning needle artists. There are always other mentors in the room to assist if they get stumped with a question.

3. The time commitment is approximately one hour a week in most programs.

4. They will enjoy giving and receiving simultaneously.
Helping them to recall their own learning to knit/crochet experience with an older adult usually paints the picture quite nicely.

5. They will not be expected to be disciplinarians.

6. They will be working with various age groups.
We recommend 3rd through 12th graders although we have had successful programs that have been as young as kindergarten.

7. Some programs require a background check.
Background checks are usually the responsibility of the program administration and are recommended to protect and maintain the integrity of the program. Schools have forms and this detail is handled during the mentor training session, if required.

What to consider before approaching potential mentors

Consider Personalities
Include names on your list of people who have positive attitudes, but don’t overlook the unlikely person who might not seem as comfortable around kids as you think; they can fool you sometimes. One volunteer jovially announced outright at our first session that she didn’t understand why she agreed to do this since she didn’t even like kids. However, she has turned out to be one of the best and most devoted mentors.

Consider Time Frames
Be flexible with the commitment. Let people be introduced gradually and allow them to have absences if necessary. Have backups for subbing. If you choose mentors from a seniors pool, remember many like to travel and have doctor appointments, etc., and they need to feel free to fulfill their regular obligations. It is important to have a specific program time frame, so that mentors (and students) don’t feel over-committed. This is a crucial part of the puzzle in making the program work.

Consider Fears
Mentors may come with fears about working with children they do not know. That is why mentor training is a key component in this program and should be given a lot of attention (see Mentor Training, pg.17). Mentors need to realize they are not professional teachers or counselors and that they will not be left alone with these children. Programs need to be set up so there is lots of good help and support for them in working with the children and in the teaching of their craft. Be sensitive to their comfort level regarding working with more than one child.

Where to Look

Knitting Guilds
Guilds are a great resource for mentors. Find out when their meetings are scheduled and be ready with a presentation to encourage them to be a part of this program. NAMP has materials ready to help you prepare.

Local Yarn Shops
Here is the best source of mentors. You probably already know your local shop owner. Ask them for their assistance to display a brochure near the cash register so that you can make contact with interested people from their customer base. Perhaps they have a group of knitters or classes that meet on a regular basis in the shop. The shop owner should be very receptive to this idea since part of the purpose of this program is to create more consumers. They are usually one-person operations with a very heavy workload so you need to make this as simple as possible for them.

Senior Citizen Centers
Most communities have one of these. Seniors are usually looking for ways to be involved and they become excellent mentors. Centers often have many groups that meet regularly and they are happy to announce community efforts that are looking for volunteers.

Local Churches
Most churches involve themselves in worthy community efforts and are willing to let you say a few words to the congregation during services or put a message in the church bulletin.

Local Assisted Care Facilities
Many seniors who live independently may be a good source of mentors. Other ways to gather mentors are the newspaper classified ads, community calendar events, local radio station announcements, brochures or posters in public places, school notices sent to parents and faculty and asking mentors to invite their friends. NAMP has flyers available for placement throughout your community.

STEP FOUR: Mentor Training
The mentor training begins the process of mutual support between mentors, working together as a congenial team, supporting each other. It is necessary because it builds confidence in mentors to overcome their anxiety about working with children. The training is a safe environment where mentors have the opportunity to discuss their concerns and brainstorm solutions. "Suppose they don’t like me..." is a feeling that is often voiced. Let the mentors know the children are lucky to have such dedicated, loving individuals working with them. The one-on-one experience is very valuable and to watch relationships grow is a joy. Magic does happen.

Part One
The NAMP Volunteer Coordinator usually runs this portion of the training. Take time in the beginning of the session to let each mentor introduce him or herself. Have everyone tell about how and when they came to be a needle artist and why they decided to become part of NAMP. Have a sign-in sheet for names addresses and phone numbers/e-mail so that accurate records can be maintained. Be sure to cover the following topics:
  1. Time
  2. Location, (library, cafeteria, school room, etc.)
  3. Projects (hand out packet of supplies from Helping Hands Foundation)
  4. How mentors are paired with their children
  5. Where supplies are stored between sessions
In the beginning, it is advisable to have the same project for everyone. We traditionally use the simple bookmark pattern shown in the back of this book for knitting and crochet programs. Needlepoint and cross-stitch programs will use small kits. You may also want to talk about materials, such as yarn and needles, and the sequence of events for each session.

When children arrive at the program location, each child will receive a packet containing the following, depending upon the needle art they are learning: Knitting - about one ounce of yarn, needles and "How to Knit" book; Crochet - about one ounce of yarn, crochet hook and "How to Crochet" book; Cross-stitch - a cross-stitch kit complete with needle, fabric and fibers and a "How to Embroider (Includes Crossstitch)" book; Needlepoint - a kit complete with painted canvas, needle, fibers and a "How to Needlepoint" book. These packets remain with the Volunteer Coordinator when the individual sessions end. Only when the program finishes will the child be able to take their project home. VC’s and mentors, or the children’s families, may be able to provide supplies to accommodate children who want to stitch between sessions. NAMP has designed a permission slip for parents to sign before tools are allowed to go home with students, which you will find at the back of this guide.

Part Two
If required, a counselor/after-school coordinator who has more information about school policies and procedures should handle this portion. She/he should cover such issues as:
  1. Background check forms
  2. Typical behavior and developmental abilities of the age group.
  3. Mentors’ boundaries including explaining that disruptive behavior is not tolerated and that the school will provide guidance for handling problems.
  4. Empower the mentors with some appropriate language to use when they feel the need. (Discipline has been a very minor problem in all of our programs. Children come to the program because they want to learn.)
  5. Communicating a feeling of appreciation to the mentors for their time and role in a child’s life.
STEP FIVE: Recruiting Children
This has been the easiest portion of setting up programs. Most children are enthusiastic about learning these skills. The school professional, after-school coordinator or counselor handles this process for a school or after-school program. Some schools handpick the students and some let students sign up. Most schools have a list of activities they send home to parents with a permission slip. Any regular gathering of young people has the potential to become a NAMP.

This seems to be the appropriate time to bring up the subject of boys. We have found that approximately 30% of our participants are boys. As a matter of fact, we recently started a new program that is predominantly boys with only one girl! We hope our programs will encourage boys to participate. Explain that, historically, only men were allowed to knit during and prior to the Renaissance period since it was considered a man’s trade, and that we want to encourage more boys to become needle artists. Getting boys to participate does not seem to be an issue.

STEP SIX: Gathering Supplies
The Helping Hands Foundation is happy to take on this responsibility for your initial supplies. We have been successful in getting in-kind donations from the needle arts industry and we also have a small budget for these expenses. However, we do realize that mentors and volunteers also have materials they would like to donate. Here are some suggestions of what works best:

Needles and Hooks
HHF has a wide variety of plastic, wooden or bamboo knitting needles and crochet hooks. Metal needles are discouraged since schools usually have a problem with seeing those as a potential weapon.

Yarn
Worsted weight or bulky; wool, or acrylic/wool blends work best because they are usually softer and easier to work with. When accepting donations avoid fine yarns, like fingering weights, normally used for baby knitting. Be specific about what is acceptable.

Here is the dialogue NAMP has adapted when answering these questions in general:
We accept worsted weight yarns, wool or wool/acrylic blend, full skeins with labels (so we know washing instructions). We do not accept any partial skeins. This eliminates the problem of getting everyone’s left over tangled skeins that have been left under grandma’s bed for years. We suggest winding the yarn into one-ounce balls so each child gets enough to complete their first project.

Occasionally people approach the Helping Hands Foundation wishing to donate their yarn stashes. The Director keeps a list of NAMPs willing to accept such donations, and will have donors send their contributions directly to the recipient.

Other supplies provided by the Helping Hands Foundation, Inc.
  • Needlepoint kits with fibers, painted canvas and tapestry needle and cross-stitch kits with fabric, chart, floss and tapestry needle
  • Plastic bags to hold projects (one for each child)
  • "How to Crochet," "How to Embroider/Includes Cross-stitch," "How to Knit" or "How to Needlepoint" books (one for each child)
Suggested supplies to be provided by the Volunteer Coordinator, mentors or program
  • Sign-in sheets for mentors and students
  • Name tags, if desired
  • A large box to store the projects in during the week
Once your group has used the initial supplies provided by HHF, you will need to have the children purchase materials for future projects. The tools (knitting needles, crochet hooks and tapestry needles) and "How To" books are theirs to keep, to encourage them to continue engaging in the needle arts. Some groups have been able to arrange donations or discounts with local needle arts shops for subsequent supplies.


The "Guide" The "Guide"   This page is an excerpt from the Helping Hands Mentoring "Guide". The Guide is our complete instruction manual for creating and maintaining your own Needle Arts Mentoring Program.

The complete guide is conveniently available online in Adobe Acrobat PDF format.
Download the Leadership Guide PDF (683K)

Other excerpts from the "Guide" include: |Table of Contents |Acknowledgements |Forward |History |Benefits |Getting Started |Steps to Success |Logistics |Conclusion| |Warm Up America| |Appendix|


Many thanks to our generous sponsors:
 
The National NeedleArts Association
 
Berroco, Inc.
 
Bryson Distributing
 
Caron International
 
Coats & Clark
 
International Council of Needlework Associations
 
Interweave Press
 
Lantern Moon LLC
 
Leisure Arts, Inc.
 
Lorna's Laces
 
My Handwork Studio
 
Patons/Spinrite
 
Plymouth Yarn Co.
 
Skacel Collection, Inc.
 
Stitch N' Pitch
 
Trendsetter Yarns, Intl.
 
Westing Bridge, LLC


NeedleArtsMentoring.org
The Needle Arts Mentoring Program is a project of Helping Hands Foundation, Inc.
© 2000-2008 Helping Hands Program
1100-H Brandywine Blvd.
Zanesville, OH 43701-7303
740-452-4541
740-452-2552 (fax)
E-mail: HelpingHands@Offinger.com


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